One book, four challenges
The Time of Singing is my first historical fiction read of 2010, and therefore my first entry for the Year of the Historical reading challenge. Set in the late 12th century, it also qualifies for the Tournament of Reading. It’s my C entry (C for Chadwick) in the Alphabet of Historical Fiction. And it’s also the first book of 2010 in my own Royal Mistress Challenge.
The true story of a forgotten royal mistress
The royal mistress in The Time of Singing is Ida de Tosney, a young heiress and ward of Henry II. Ida was the mother of William Longespee, but while he is well known to history, it was only recent geneaological research which brought Ida’s story to light.
As this is a Royal Mistress Challenge book, it is my duty to administer a Mary Sue Litmus Test on poor Ida. Now it’s an insult even to suggest that an Elizabeth Chadwick book contains a Mary Sue…but I did say I’d test every single book I reviewed, so…here goes.

The only reason Ida got any points at all? I had to tick the box for these two questions:
Is the character related to royalty or nobility?
Ida is related to the Scottish royal family.
Is an otherwise chaste or stoic character immediately attracted to her/him?
Who is this otherwise chaste character? Well, not Henry II. At fifteen, Ida is taken to Court to meet him:
Her rose-coloured gown was embellished with vine-leaf coils of delicate green thread at the sleeves and neckline. Small clusters of garnet grapes adorned the scrollwork, and the outline borders were worked with seed pearls. The belt, double-looped at her waist,was of her own weaving, and it too was decorated with pearls, for she was an heiress and these were her court robes, especially made for her presentation to the King whose ward she was. Beset with anxiety, she had imagined the moment a hundred times, envisaging her curtsey, the rise and the step back. She hoped that if he spoke to her, she would be able to make an appropriate answer.
Ida’s innocence and shyness immediately attract Henry’s attention. Seeking comfort and companionship after the death of his beloved mistress Rosamund de Clifford, he decides that Ida will take Rosamund’s place. Ida is never comfortable in the role of royal mistress, even after she has given Henry a son, and she starts seeking for a way to escape from her gilded cage. When she meets Roger Bigod, heir to the earldom of Norfolk, she thinks she might have found it.
Roger, who is on a quest to win back the estates his father lost through rebellion, wins Ida’s trust by treating her with the respect and restraint she didn’t get from Henry. But Roger sees Ida as unattainable.
…Among the women he caught sight of Ida with her infant son. Slim and vibrant in a gown of red silk, she was laughing and holding the baby over her head as she sang to him. The baby was crowing back at her and waving his swaddling-free arms. The sight jolted Roger and he started to retreat, but Ida looked up, saw him and, with the laughter still on her face like sunshine, beckoned him into the garden.
Caught, Roger had little option but to go forward, all travel-stained and sweaty as he was.
‘God’s greeting, my lord Bigod,’ she said, managing a curtsey, even though she now had the baby balanced on one hip. It had a nimbus of soft dark hair and eyes of Ida’s bright hazel-brown.
‘And to you, mistress,’ Roger bowed. ‘You are looking well.’ Better than well, he thought. Good enough to eat.
In the end it’s Ida who devises a way out. But she discovers that there will be a terrible price to pay: if she marries Roger, she will have to leave her little son William behind.
Ida’s marriage to Roger is only the beginning of their story. Roger has to fight to win back and keep his inheritance. Ida has to find a way to live with her separation from her son William. And William has to grow up and make a place for himself at the unstable and dangerous Angevin court.
The Time of Singing is an absorbing, atmospheric and intriguing book which pulled me into its world. It also inspired several questions! So…(fanfare) the Misadventures of Moppet is proud to present its first author interview!
Q and A with Elizabeth Chadwick
Q. What brought Ida and Roger to your attention and made you want to write their story?
A. With Roger Bigod, I found myself very curious about him after writing my Marshal books [The Greatest Knight and The Scarlet Lion, about William Marshal, and A Place Beyond Courage, about his father John Marshal]. His eldest son married William Marshal’s firstborn daughter, and Roger lived through a similar time to William, but in a different sort of way – getting on with it quietly in the background, mostly in England, but still, eventually, a man of great power.
Ida fascinated me because I wanted to know about the mother of William Longespee. I was also interested to know more about royal mistresses in my period. Were they all pushy sirens on the make, or were they sometimes young girls whom an unscrupulous monarch would take advantage of because he had the power and because he could?
Q. The lives of royal mistresses seem to be quite shadowy in this period – Ida being a perfect example with her story only recently having come to light. Powerful official mistresses who gather huge amounts of cash and land don’t usually appear until after 1500 – Alice Perrers being the earliest example. Ida gets presents and trinkets from Henry and from others who want her goodwill, but that is offset by the fact that she is Henry’s ward, so presumably he’s still enjoying revenues from her inheritance. Do you think it’s true to say that the pushy-siren type didn’t come along till later centuries? Or is that too much of a generalisation?
A. I think the cash and land thing does seem to have grown up later on and that it’s not too much of a generalisation, although perhaps it’s down to documentation too. Henry had Rosamund Clifford and we know nothing about her (conventionally). How much influence did she have? What was she really like? We know some of the names of Henry I’s mistresses and he seems to have kept a harem at Woodstock, but no one stands out as having made a mint from it. It has been suggested that Isabelle de Beaumont [mistress to Henry I] bought her family into favour with her body, but she didn’t do much good for herself. William the Conqueror’s mother [Herleva, mistress to Robert I, Duke of Normandy] seems to have had quite a bit of clout, but again, still nothing like the glamour pusses of later monarchs.
Q. Is much known about Ida’s life before she came to court?
A. Absolutely nothing is known about her early years. There’s not even a birth date for her (although it can be worked out to be within certain parameters). We don’t know where she was brought up, if she was educated, or anything. I fleshed her out in The Time of Singing with recourse to my alternative research, except for when I gleaned small snippets from charter and documentary evidence. And they were small snippets. As far as I know there are no charters of hers from her own lifetime, or even her name as a witness to any of Roger’s, although he does mention her sometimes in the body of charters. ‘Comitisse Ida uxoris mee.’ She is one who has slipped through the net except for a few spangles left on the threads, and there must be dozens more like her.
Q. Princess Alais, Richard the Lionheart’s sometime fiancée, is mentioned at one point – she and Ida would have been at court at the same time. Do you think there is any truth in the rumours that she too was Henry’s mistress?
A: At one time I’d have shaken my head emphatically and said ‘No way; Henry would have had to be bonkers to do that.’ But Sharon Penman (who was also in the no camp) has told me that historian Ralph Turner has argued that perhaps Henry did have it away with Alais and that the argument does have legs. I haven’t read Turner’s piece myself and I’ve not looked at Alais in any detail in my own research. If Henry did, then perhaps there was a pattern in his later life of seducing very young women over whom he had power. Not a nice thought, but very feasible if you look at it from that angle.
Q. Characters from your other novels have cameo roles in The Time of Singing – including William Marshal. The family were named Marshal because they held the office of Marshal at court and I noticed that it’s a Marshal, John FitzJohn [meaning John son of John], who escorts Ida to her first private meeting with the King. Is this William Marshal’s older brother?
A. Yes, John FitzJohn was indeed William Marshal’s brother and was the royal marshal at this time. ‘My John’ (have to call him that!) FitzGilbert died in 1165.
Q. The marshals were in charge of the court whores – would they also take some responsibility for the higher-born mistresses like Ida and Rosamund de Clifford?
A. Not really. If John’s doing the job at this point it’s more because the Marshal was also in charge of the ushers and arranging who got in to see the King. It was a policing/escort/bouncer sort of service. The Marshal’s job from what I can glean where it involved the court concubines, was making sure the cat fighting between them didn’t get out of hand and making them pay fines if and when it did! It was more about policing the activities of the working girls and keeping them in order.
Q. I’m curious – do the records say exactly what they got fined for?!
A. I’ve only seen a passing reference and now I can’t remember where, but it was for disorderly behaviour. More than that is within the realms of either the serious researcher or the historical novelist!
Rosamund and Ida were daughters of the nobility and their circumstances different to the run of the mill. I don’t know how Henry got it on with Rosamund, but Ida was actually Henry’s ward. He was supposed to be her guardian….
Q. There’s a wonderful description of a hair fragrance Ida makes with dried rose petals, watercress, nutmeg and powdered root of galangal. I had to Google galangal (try saying that three times) to find out what it was but now I really want to try the recipe! The descriptions of the process of making it are so detailed I wondered if you had tried it or a recipe like it and if so with what results?
A. That hair fragrance recipe is still available in The Trotula – details here and more about cosmetics.
I haven’t tried out the recipe, but I’ve been intending to. I thought it would be a good extra for a Regia Anglorum show, but I haven’t had a chance to get it together yet. I do want to have a go. The Trotula is absolutely fascinating. To remove redness from the face ‘we put on leeches of various colours which are in reeds, but first we wash in wine the place to which they ought to adhere.’ Euwwww! To get rid of freckles, you make a paste from bistort root (?), cuttlefish bones and frankincense mixed with water and rub it into the affected area, then remove with an exfoliator made with ‘water of bran’ or breadcrumbs….
A great book for historical cosmetic recipes is The Artifice of Beauty by Sally Pointer. As well as an overview discussion on cosmetics down the centuries from ancient Egypt to now, there is a detailed guide to recreating perfumes and cosmetics with adapted recipes. So there’s Jacobean perfume, Alkanet lip paint (Egyptian and beyond), Kohl eyeliner paste (Egyptian), Galen’s cold cream (2nd century AD), Rouge, 17thC washball, Victorian rose soap, Vinegar of the Four Thieves (late Middle Ages onwards. Disinfectant). Given the time to mess I’d love to have a go with these.
Q. Some delicious sounding food is mentioned in The Time of Singing - is there a particular medieval recipe you’ve tried and would recommend?
A. I would love to investigate and have a go at medieval wafers – but I don’t have the skills, requisite equipment or a decent recipe, but you hear of them as snack food and I’m sure they’d be delicious.
Most of the time there’s a lot of adaptation and extrapolation involved due to lack of precise directions. Some things are still what we’d eat today such as a herb omelette or onion soup, or a pasty made with cheese, onion and turnip (I guess we’d use potato today).
Apparently High medieval aristocratic cuisine in Britain was not unlike North African cuisine of today, but we’ve lost most of it. Sweet and Sour rabbit is very good (made with chicken for the squeamish!). I found a recipe online. I have served similar to this one at a show and it went down very well.
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A very big thank you to Elizabeth Chadwick for taking the time to answer my questions. I would also like to thank Kellie who provided one of the questions.
Elizabeth’s next novel, To Defy a King, released in the UK in May 2010, will continue the stories of the Marshal and Bigod families. The Time of Singing will be published in 2010 in the US by Sourcebooks with the title FOR THE KING’S FAVOR.
Find out more about The Time of Singing here.
Elizabeth Chadwick’s website and blog.